Contact Improvisation with Consent
Nicole Bindler
Sunday, Jan 12 2020
12:00 PM - 3:00 PM
Cost
$20-30 sliding scale (no one turned away for lack of funds)

I often hear from some of my favorite dancers that they love contact improvisation (CI), but they avoid classes because they’re afraid of getting stuck with one incompatible partner for too long. What if we could repattern the idea of a CI class from a place where we must touch everyone to a place where we get to decide at any given moment who and how we touch? 

 

 

This class offers tools to facilitate communication and listening around consent within our CI dances, with an emphasis on those from dominant populations dialing up their listening, rather than putting the onus on those from marginalized populations to have to hone their ability to say “no.”

 

 

This class is for regular CI practitioners to learn innovative ways to communicate and understand consent, and for new, trepidatious attendees to dance in community without a sense of obligation.

 

 

 

RSVP: nicolebindler@gmail.com

 

 

 

Nicole Bindler’s performance work and teaching have been presented at festivals and intensives throughout the U.S., Canada, Argentina, Europe, and in Tokyo, Beirut, Bethlehem, Mexico City, and Quito. Her dances have been supported by the Pew Center for Arts and Heritage, Leeway Foundation, Puffin Foundation, Foundation for Contemporary Arts, Pennsylvania Council on the Arts, and the Ellen Forman Memorial Award. Bindler holds a BA in Dance and Poetry from Hampshire College, a degree in Muscular Therapy from the Muscular Therapy Institute, and certificates in Embodied Anatomy Yoga, Embodied Developmental Movement and Yoga, and Practitioner of Body-Mind Centering® from the School for Body-Mind Centering®. She has been on faculty at Temple University, University of the Arts, and the University of Pennsylvania, and has guest lectured at Drexel University, University of Wisconsin, Milwaukee, University of Minnesota, Minneapolis, Hameline University, Arizona State University, Tempe, University of Texas, Austin, Goldsmith’s University, St Mary’s College of Maryland, Moore College of Art and Design, and Ursinus College. Her writing on dance and somatics has been published in Critical Correspondence, Contact Quarterly, Emergency Index by Ugly Duckling Presse, Jewish Currents, BMC® Currents, Curate This, Journal of Dance & Somatic Practices, Somatics Toolkit, American Jewish Studies Perspectives, and thINKingDANCE. She currently serves on the Earthdance Diversity, Equity, and Inclusion Committee.

Photo Credit: Meredith Sellers
Photo Credit: Sean Hudson